Tag Archives: Void Hunters

VOID HUNTERS: A NEW PARADIGM…

Now, of all the things I’ve been trying to get done lately, none have seemed so out of reach as the concept of the Digital Table Top Role Playing game. It just seems that no matter how many times I’ve tried to get that concept flying, from trying to Kickstart the idea to almost having an independent team ready to realize the proposal (before they backed out at the last moment), it just doesn’t seem to be able to peak the level of interest necessary for it to become a viable product. It is simply too much to do on my own, and the type of people I need to develop it with me are generally  more interested in using their skills for fully fledged video games, not hybrids.

Over time, I have come to the realization that the problem with the DTTRPG concept is two fold.

THE DIGITAL DIVIDE

First, what I was trying to create with the BoHM digital game was basically a digital charactersheet/dice roller/rulebook/GM Suite combo, which, in itself is not a bad idea. But it doesn’t really innovate as far as it needs to. You’re still looking at a screen with numbers and dials and lists, etc. so it really is no more than your standard RPG, just with less stuff to carry around. This could be why it received such a ‘meh’ response from the RPG community.

BoHMScreens02-ChargenThe answer to this issue involved really looking back at the research I did long ago on what RPGs offer us that computer games don’t, and vice versa, and coming to the realization that what I was attempting did not go far enough in moving the game further into the acoustic space that RPGs inhabit. Making the game less of a game and more of an ‘experience’ for the players.

The answer to this, of course is to make sure that the player interface should remain as thematically ‘pure’ as possible. Character creation would still be of the standard RPG variety, but once that is complete, the UI should endeavor to take them out of the ‘roll’ and immerse them in the ‘role.’ The only person with pure game info should be running the game and making all the magic happen behind the scenes, presenting the players with dramatic representations of the raw numbers they’re generating on the fly.

Don’t confuse this with a video game of the first person variety. Yes, the information is first person, in a sense (were not talking moving about a 3D or even 2D world here, as the game will still rely on the acoustic centers reinforced with a few still images or simple animations), but the AI is strictly human, generating an infinite amount of content, not through programmatic procedural generation, but with a few simple tools in their GM Suite and all the data provided in the ‘rules database.’BoHMBook

The second issue revolved around the complexity of the rules for BoHM which were, in hindsight, a bridge too far for the concept. It was going to take a lot of programming and fiddly UI design to make the thing usable, which, without the money from a successful crowd-funding campaign, was immediately going to turn off any potential co-developers.

Again, simplified rules were necessary to allow the GM to run things efficiently behind the GM Screen of his interface, and to allow the players to get the information they needed without a lot of interface acrobatics. This is where Void Hunters comes in.

VOID HUNTERS: DTTRPG

P2Void Hunters is another project that I just can’t seem to get off the ground, but whereas the DTTRPG idea is all about a lack of resources, VH is all about my lack of interest in creating yet another same old, same old TTRPG. I’ve been desperate to do something different with it. To make something that goes beyond the standard setup that is currently being done to death in a thousand different ways over at RPGNow. To make something that people actually enjoy playing, as opposed to adding to their ever growing library of games they bought but never use (and those of you who buy digital RPG books now exactly what I’m talking about).hr_giger_dreads

The beauty of VH as a DTTRPG, however, is the external rules (those utilized by the GM and players) are completely old school in conception, and easily broken down into object oriented programming modules that modify a basic rule package. In addition, the old school ethos of ‘Ruling over Rules'; and ‘Description over Dice’ means that half the game is going to be run from the GM’s description and the player’s reactions, anyway, so the user interface can be much simpler.

The internal (as in, inside the actual module) rules for VH will be designed to be resolved through programmatic methods, like an actual video game. The classes I’ve laid out will still be the core around which the game revolves, but the equipment, ships, etc. will all be designed to work as a computer game, albeit, one with a strictly human center. This allows the rules to be very simulationist, without burdening the GM or players with the simulation.

PsychotechnicLeaguevincentdifateStarship combat, for instance, can be extremely realistic, using three axis of movement, ∆V and all sorts of other factors while still presenting the player and GM with simple options (an idea I thought up last year to create a hyper-realistic, yet easily playable, space combat table top game for my friend Tom’s Sword into Darkness universe). The starship interface needn’t be very complex because, honestly, VH style starship combat would mostly occur outside visual range and would be more reminiscent of submarine warfare than Star Wars style dog-fighting.

The science fiction element of VH also lends itself to a tablet or phone based display by allowing the player interface to reflect an ‘EyePhone’ style interface. The tablet or phone screen will represent what the characters see through a smart-glass like HUD implanted in their brain that displays vital information. Through this we can show their health, equipment icons (which they touch to ‘use’), etc. and keep them in the game, instead of taking them out of it the way reviewing an external character sheet does.

The GM Suite would include all the tools necessary to run an old school game, including writing tools, random generation tools, character trackers, etc. and tools for communication with the player’s devices. They’ll be able to see what the players roll, send them secret messages, and post images of the scene, if they desire (and all the modules for the game would include scene images for that purpose). It would be totally utilitarian, like a digital GM Screen, with tabbed interfaces.

What about a rulebook? Who needs one. The computer handles all the rules and the only reference the GM will need is one that describes the classes, the equipment, ships, etc. Creating new items will be handled through appropriate interfaces and will automate the process as much as possible. And if that still doesn’t get he GM the perfect ship, alien, etc. a handy ‘House Rules’ tool will allow them to modify the database entries manually.

TO BE CONTINUED…

I’m not done with either the DTTRPG or VH yet, and I’m determined to make one last stab at turning them both into something a bit different and revolutionary for the RPG market. I’m going to be considering all the elements over the next few months and, as soon as one of my other projects is ready for production, I’ll revisit it and see what it will take to turn it into a realty. Who knows? Maybe by that point, folks won’t be so turned off by the idea of a truly digital RPG experience…160d21128da98dc567406f7e2442d9ec-d53u2f1

 

 

 

 

Good Riddance 2014. Now, Get To Work 2015…

2014 blew.

It was a terrible year for me professionally and personally. As a result, I think I got less done that whole year than I did in the 3 months I spent on my thesis. This was exacerbated by the fact that, one year after receiving my MFA, I’m still working as a substitute teacher and, in December, had to take part time work at a retail store just to make ends not quite meet.

And just to give me a good kick before exiting stage right, the year ended with my wife getting majorly ill during the week of Christmas. Good riddance 2014, don’t let the door hit ya where the good Lord split ya.

But now it is 2015. A new year and a new stab at getting the next phase in my life and career started. Getting a job has been a bust so far, but at least I had an interview. Finally. After over a year trying. I do, however sense a change, a sense of positive renewal, as the Doctor once said in ‘The Twin Dilemma.’

So, what about all the games I have been working on?

Quarterback Blitz

20140322_133543I started this as a thesis project and it turned into what is considered by quite a few people to be an excellent playable simulation of professional football. What many do not know is that I took the game to Topps in September of last year and nearly sold it to them. Unfortunately, after consideration, they found it a bit too complex for their customer base, so no sell, but they did tell me that is was very true to the game and want me to call them up if I have any more game ideas (I may try and sell them a Baseball or Hockey game in the near future, time will tell).

So, with  the feedback from them and working out some strategic issues with a college football coach, I am on the verge of taking the game to another company. Problem is, I need to rewrite a small chunk of it, including remaking about 108 cards, and after a year and some change, I’m kind of burnt out. So, I’m giving it a rest for a month so I can come at it fresh.

The cool news is, I’m ready to release a print and play demo after I get the new cards done and will do so, probably in March. I’ll also be taking it to another company to try and sell it, and possibly get a proper job. In the meantime…

For Glory!

BoLBGMapV3The Barbarians of Lemuria board game I designed has been done for over a year. In that time, I have tried, without success, to get it into physical production. Now, as you might have ascertained from the start of this post, I am not in the position to self-finance this thing. There is too much risk, especially when you consider there is more to producing a physical game than calling up China and sending them some files. There’s production costs, shipping costs, storage costs, distribution costs, etc. So I’ve given up on producing a lavish table to board game and am switching formats.

I’ve been a huge proponent of mobile technology as a platform for board gaming and RPGs for the last 5 years. At UTD, I spent a great deal of my time trying to convince the people in charge that not only were mobile games going to increasingly challenge AAA games for entertainment dollars, but that hybrid games, using table-top components and digital interfaces, were going to eventually become the norm, allowing for incredibly complex board game simulations. Flash forward to today and we now have X-Com the board game with its mobile interface, Golem Arcana, a digitally enhanced TT wargame and a host of completely digital mobile board games.

SampleHeroesSo I’m turning For Glory! into a digital board game app.The potential audience is larger, the production costs are smaller (just time, really) and without shipping, distribution, storage, and a production company taking up at least 50% of the profit (Google Play and iTunes stores only take 30%), the profit margin will be much higher. I’m currently working on the UI screens and my programming partner is going to use Unity’s 2D platform to realize it as software. The game will be pretty much the same, it will even be designed so up to 6 can play, but it will handle all the rules work for the players. You can see the aesthetic feel I’m going for in this incomplete rough of the character select screen.

FG_Screens_01_CharSelect

Barbarians of Heavy Metal

Ozzy1People have told me what a unique concept BoHM is, and how they’d love to see it realized. My first attempt at doing that ended in a failed Kickstarter and a lot of rather pointed comments from my target audience about how unwelcome a truly digital table-top RPG is. Problem is, I don’t want to do another strictly P&P book RPG. I want to do something different. And besides, the same problems with a print boardgame apply to print RPGs, but doubly so. As a real world example, my Barbarians of the Aftermath supplement has yet to sell through its 2010 hardcover print run (as far as I know. C7 hasn’t sent me a sales report in over a year) but the 2009 PDF still sells to this very day!

So, as the IP was important to me, but the format really wasn’t (although I would have loved to have  been the one who revolutionized the RPG industry with a digital TTRPG), I tucked it away until I could find another medium for it, instead of rushing out yet another variation on the standard RPG. This month, I found that medium: the Tactical Card Game.

SpikeAn idea I’ve been noodling around with for some time, the Tactical Card game is an attempt to model the strategy and tactics of tabletop wargaming using strictly cards. During my recent research into the history of wargaming (as a hobbyist and academic), I have identified a number of elements that define wargames and can be easily translated into an abstract card based system. The system uses dice, like a regular wargame, and it also has a tactical maneuver system, based on my system for vehicular combat in Barbarians of the Aftermath. But it doesn’t require miniatures, terrain models or even a large table to play.

I had been designing the TCG concept as a vehicle for the Pirate game my business partner has been working on for some time, but I realized it was also an excellent vehicle for introducing the BoHM universe. It allows me to focus on a specific part of that setting (Titans, giant heavy metal mecha, like the one above) and reach a less niche audience: casual card gamers. It can be easily expanded, into aerospace fighters, starships and even headbanger vs. headbanger musical dueling, and all those different games can be designed to work together so that you can have truly massive conflicts that cover multiple scales simultaneously (great for team tournament play). Plus, card games are cheap to produce and much more attractive to production houses.

So I’ve also been working on that. An example of the play area (which has already evolved significantly by this point) can be seen below.

LayoutExample

VOID Hunters

event_horizon_gravity_driveI’ve been fiddling on and off with this thing for ages now. It started off as a simple supplement for DCC, but I quickly realized this was not the best way to accomplish my goals for it. Then I built a system from scratch. And scratched it because it didn’t feel right for 70’s sci-fi.

And now I’m back to wondering if it wouldn’t work best as a digital TTRPG and how the might change the design. I love the idea of the game, but as with BoHM, I don’t just want to crap out another RPG. I want to make something that adds to the industry in a significantly different way, and truly inspires people to play it, like DCC. It’s simpler than BoHM, rules wise, and like the original D&D, there is no specific setting, just thematic tools for creating your own, so it might be the best game for introducing the DTTRPG concept.

The potential for expansion through in-app purchases are practically infinite, it would (again) reach a whole new audience and the costs would (again) be minimal, so I think it would be worth doing a small demo of the app to generate Kickstarter interest and that is the plan for now.

That’s My Year Full, Then

Those are my product plans for 2015, but no plan survives contact with the enemy (the enemy in this case being not fully employed and constantly scrambling to make ends meet), so there are no guarantees that even half of it will materialize. But I design games. It is not what I do, it is who I am. I could no sooner stop doing this than stop breathing, so I will continue to plug away at my projects until they are done and out the door, regardless of my situation. Expect to see at least one or two cool things from Jabberwocky in 2015…

VOID Update July 10th, 2014…

Dan_DYT3So I promised an update on the various projects on the block and I thought I’d start with one folks have asked me about recently: VOID (Vanguard Operations in Interminate Darkness), formerly known as Void Hunters (which I found was already taken by a computer game, unfortunately).

After having gone back and rewritten the mechanics from the ground up, I have started to type out the formal text for the demo version of the game. The character creation chapter is now complete, and I’m going back over it today to make sure everything is in order before moving on to Chapter 2, which covers the basic rules. Once those are done, I’ll create a set of Pregen 1st level characters, equipment & Psionic Power cards and a starter adventure and lay the whole thing out before placing it up for grabs on my RPGNow account. Then we’ll see what folks think of it.

My long term plans include finishing writing the full text within the next three months and then converting the whole kit and kaboodle into a basic Digital Table-top RPG for mobile platforms. If I can find an artist, I’ll release a PDF version as well.

As for the design, there have been major changes. I still want to keep that DCC feel, but I wanted to start over mechanically to make a system for sci-fi, not to shoe sci-fi into an existing fantasy system. So there is still a ‘funnel’ in the game, for example (which is called a 0 Level Mass Conversion, to give it that sci-fi feel). I have also retained the classic d20 structure of Attributes, Levels, Hit Points and Saves, but the way these are all realized mechanically is structurally different.

d20 BECOMES 3d6

One of the first major changes was to move from the eponymous d20, with it’s flat probability line, to the 3D6, with it’s glorious bell curve.

d20-3d6

I did this for numerous reason, but one of the main ones involved the weight of attribute modifiers. In a d20 game, a +1 is not really all that important when it comes to comparing two characters. It is much more consistently significant in a 3d6 system, however.

Changing to 3D6 also allows me to play with the individual dice more. Every career class has a Specialist Die that can be used to replace on of the dice in the 3d6 roll, and which grows as the character levels. It functions in much the same way as the Attack Die from DCC, but is now expanded for different roles in the game and actually widens the bell curve instead of adding directly to it as a straight bonus (which is much more powerful in 3d6, as I mentioned).

I have further taken advantage of the 3 die roll to create a hybrid of the Advantage and Disadvantage mechanic(from D&D 5E) and the Dice Chain concept from DCC. In VOID, when you have an advantage, you shift one of the dice in your roll up to the next highest die type, a d6 to a d8 (up to D30), for example. For disadvantage, you do the opposite, reducing it down, from a d6 to a d4 (down to no die at all, if things are that bad). You’re still rolling three dice, you still have a curve, but you are changing the shape of the curve and shifting it up or down instead of adding flat modifications.

The practical upshot of this is I’m going to be able to keep the range of Difficulty Levels tighter and more consistent. No more rising Levels chasing rising difficulties. An average task will always be the same difficulty, and there is always a chance you will roll triple 1’s and fail miserably, no matter how good you are. A David can beat a Goliath if luck favors them (and especially if they abuse the Advantage/Disadvantage system), and no character will ever get too complacent in the harsh environment of the void. And best of all, no more summing ridiculously large chains of modifiers! Hooray!

GRIT POINTS & OTHER SECONDARY TRAITS

Grit represents the characters ability to roll with a blow to minimize damage from various sources as well as to endure fatigue and other physical stresses. When a character is reduced to 0 Grit, they are exhausted, possibly unconscious, and vulnerable to serious injury or even death, which is represented by any further damage being applied to Endurance (equivalent to CON in d20 games) directly until they are dead. Grit recovers quickly, and a character can recover up to half that lost in a particular encounter by resting afterwards (as in BoL and D&D4E) but Endurance damage represents serious injuries that take a long time to heal and prevent full recovery of Grit.

darkstarEgo is Grit for the mind. It represents the reservoir of will and mental energy that keeps a character from giving up or going insane, which is why Psions, who rely heavily on it to power their abilities, often teeter on the edge of mental collapse and madness. Losing all your Ego means you go out of control and start picking up psychosis. It recovers much more slowly than Grit, and only after the character has returned to a place of stability. One of the character careers, the Voivode (formerly the Officer)  specializes in Ego recovery, like a Cleric for the mind.

Credit is what allows you to make large scale purchases with the understanding that you will be bringing back a hefty return on investment. In cases where a military or corporate backer is providing you with material assistance, it is your Credit that will determine what resources they are willing to risk for your mission (and how easy it is to get extra equipment from corrupt quartermasters or black market sources).Space travel and the exploitation of alien worlds is an expensive business and your Credit will take hits any time you exercise it. It also only recovers when you actively replenish it (by exploiting and selling resources). Team members can pool their Credit scores to make even larger purchases (like ships and ship components) and, if they manage to secure a Patron, they will find their Credit ratings go a lot farther (at the price of obligations).

LEVELS AND EXPERIENCE

I’m doing away with XP as a means of reward. In large-75VOID. Characters will earn from failure as well as success by leveling after completing a number of adventures equal to their next level, regardless of the results. So a 0 Level Red Shirt need only survive their Mass Conversion mission to achieve Level 1 whereas a Level 2 will need to go on 3 mission to advance to Level 3.

In game rewards will come in the form of Resources that can restore credit and even increase it in certain circumstances, Patronage that will allow access to otherwise unattainable goals and, eventually the power to become a Patron themselves. Not to mention the thrill of adventuring, which should be the point of playing.

A BIT DIFFERENT, BUT NOT GLARINGLY SO…

So the game has taken a pretty hard departure from DCC as I strike out to make something that is familiar to DCC and d20 players but is still unique in its own ways. Some may ask why I’m not going all out original and the answer to that is simple: because the general mechanics are well known and tested, easy to tweak and easy to sell as a small press company. Plus, nothing better reflects 1970’s gaming ethos like a game that tweaks the mechanical underpinnings and re-purposes the design concepts of the games from that era.

I’m still open to opinions, of course, so feel free to comment below…

 

What’s Going On…?

If it’s been a bit quiet around here lately it’s because I’ve been very busy putting things together, working on rules, creating graphics and otherwise building on games in order get them ready for release. As a one man production band (who is also trying to join university faculty at numerous schools and do the odd job to keep the green flowing) this means that I tend to neglect the social media more than I should, so here is an update for those worried that their favorite projects might be vaporware (short answer: I never produce vaporware, it all gets done)…

QBB

Quarterback Blitz is reaching the end of the prototyping stage. I plan to start shopping it ’round to production companies at the end of this month. All that really remains is finishing the miniature prototypes, but in the meantime, play-testing is going along at full speed with the makeshift models I kludged together out of electric football players and assorted gaming bases. I even managed to get the cards done up professionally by a great printing company in Hong Kong (who printed and delivered my cards in 5 days total). Here are some images of those below:

20140630_10121520140630_101237So QBB is going gangbusters, if the enthusiasm shown in play-testing is any indicator (even with people who don’t like football as a rule), and has most of my attention at this time. It looks to be a winner with sports fans and gamers and a big seller for JM and whatever company agrees to produce it.

VOID HUNTERS & BARBARIANS OF HEAVY METAL

SpikeI have spent the last few months really debating with myself over whether or not this company will make RPGs anymore. A variety of catalysts from the state of the industry, to the behavior of the customer base, to the financial viability of making anything more than pizza money off of all the blood, sweat and soul that goes into making a good RPG, were pushing me to say to heck with the whole hobby. Seriously. It is, frankly, easier, cheaper and more rewarding to build board, card and electronic games, and wit them, good transmedia friendly IP.

After a good long think, I decided to go ahead and finish at least two of my RPG projects and see where they go before giving up on the industry altogether and just focusing on all those other things. Fortunately, I have some willing partners who are going to help me see those two games to life as the first all digital table-top RPGs.

Void Hunters is now going by the title VOID: the RPG of Seventies Science Fiction and I have completely divorced it from Goodman Games Dungeon Crawl Classics game. I loves me some DCC (seriously, if you haven’t tried it, get your butt to their site and join the band), but the restrictions were too stifling and I’ve decided to design my own mechanics while adopting some of the attitudes of that great game: Red Shirts dying by the dozen, player characters struggling to survive in a hostile universe, unforgiving patrons and merciless horrors in the dark, all of this will be part of the experience. It is at the back of the line, development wise, but I add material to it daily and should have a demo to show soon.

BoHM is my passion project and one of the main IP concepts I want to develop along transmedia lines. As a result, I’m looking to do a lot of different things with it, including seeing it materialize as a Digital TTRPG. But first, I’m going to be working on smaller, non RPG games to develop the background and prototype systems for what will be a mechanically unique take on RPGs. Can’t say much on that  right now, but as soon as the QBB prototype is finished and the proposal sent out, I’m getting right on a slew of material set in the BoHM universe. Watch this space.

FOR GLORY! & THE PIRATE GAME

SampleHeroesFor Glory! is done, it is just waiting on production. That requires money however, and, in the course of considering gaming in the 21st century and the old models of doing things, my partner and I have decided that it is ludicrous for us to go the route of, say, Ticket to Ride or Small World and build a physical game first and a digital version later. The up front costs of production and distribution are so ludicrously high these days, we have decided that it is better to do the digital version first and, if sales justify it, use some of the money from that to produce a physical copy. The up front costs for digital games are so much lower, the entry level so much cheaper for the consumer, and the ability to automate and expand so much more convenient for everyone, that I’m all about digital devices as a board gaming platform (and have been for a number of years). So I’d expect to see For Glory! released on a tablet near you before a physical copy rolls off the presses.

The one exception to this seems to be card games. My experience producing QBB’s cards has shown me that there is a much better chance of a return on your investment with sufficient quality to justify physical card games. As such, the Pirate Game, which was formerly planned to be a proper board game, is now being redesigned using a new system I’m developing to function as a card based wargame. As this system will be the basis of the larger BoHM plans I mentioned earlier, I will be working heavily on this after QBB is wrapped up for the month.

RAAARGH! THE GAME OF GIANT B MOVIE MONSTER COMBAT

Kark01Some of you may remember this project from last year. It is an actual video game, not a table top  board game or RPG, and it has been waiting for mobile technology to catch up a bit and the right production team to come along. Well, the good news is that I am in final negotiations with a company to finally finish it. Most of the design work is done and all that is left is programming and testing, so I look forward to this tearing up a tablet near you soon.

SUMMARY

So that’s what’s on the block. Fortunately, a lot of it is well on its way to done, so we should see 2 or 3 of these out by the end of the year with the rest following up shortly thereafter in 2015. In the meantime, I’ll try and get some more specific updates on individual games up later this week,,,

Audio Adventure For Sale at RPGNow…

CoverDylan Darby was born lucky. So lucky that he wins an all expenses paid trip on a luxury starliner in a contest he didn’t even enter. His lucky streak continues onboard, as he cleans out even the most seasoned card players with a stunning regularity that defies the odds.

But when the starliner stops dead in the middle of space, light years from the nearest habitable planet, and he is accused of murder and sabotage, it seems as though his luck has run out.

In order to save the ship, its crew and passengers (not to mention his own skin), Dylan will have to unlock a talent he doesn’t even know he has. A talent that will change the universe as he knows it in ways he cannot possibly imagine…

The Improbable Adventures of Dylan Darby: Gambler’s Cruise, a fully dramatized audio adventure, is now for sale over at RPGNow. This is a demo pilot for a possible Science Fantasy radio series that is being shopped around for national broadcast or a potential Kickstarter campaign to produce a full series of programs for future sale.

It is both a tribute to, and an attempt to revive, the great 20th century American radio tradition that spawned the likes of The Shadow, X-Minus One and Lights Out, a tradition that is even more at home in the modern era of digital media.

Total Running Time: 42 minutes and 53 seconds.

Void Hunters: Redshirt Occupations…

9f42ce34b1d7af6fda9264fb60adebf4Every Redshirt has a regular job before being sent to meet their destiny in The Meatgrinder, and in Void Hunters there will be three separate tables to generate one for your level-0 character: Military, Corporate and Civilian.

Which table you use will be up to the guy running the game. They may want to keep character generation focused on one table for their campaign, which may be specifically centered around military expeditions to expand the borders of the empire, corporate survey teams seeking new resources for exploitation or civilian traders prospecting in the void to find the big haul that will make their fortunes and allow them to retire in style. On the other hand, they may not care where your characters come from and may allow Civilian Contractors to sign on the Military Ships with Corporate survey teams.

Some of the tables allow for cross pollination of occupation types, so a military expeditionary team  may well find a Corporate Liaison on board their ship and there is special occupation, Weird, on all the tables that allows for the more off the wall possibilities, like Rogue Synthetics, Alien Infiltrators and Corporate Spies.

All occupations start off with some very basic equipment and some, like Synthetics, have special rules or abilities. For examples, check out the Military Occupation Table…

MILITARY OCCUPATION TABLE

3D6

OCCUPATION

WEAPON

EQUIPMENT

SPECIAL RULES

1

COMBAT DRONE Plasma Rifle, Combat Knife Full Combat Armor Synthetic – STR+3, AGL+3, END+3, PER-3, LUCK 0Tech Base – CombatInhibition – Follow orders of direct COC and deactivate when given code word by those in direct COC.

2

PROTOCOL DRONE Stylus Translation Matrix Synthetic – STR-3, AGL+3, END+3, PER+3, LUCK 0Skill Focus – Linguistics & ProtocolInhibition – Cause no intentional offense

3

RESEARCH DRONE Laser Probe Portable Scanner Synthetic – AGL+3, INT+3, END+3, PER-3, LUCK 0Tech Base – ScientificInhibition – Do not deviate from scientific method, gather all data

4

TRANSPORT DRONE Ballistic Pistol, Combat Knife Vehicle Synthetic – STR+3, AGL+3, END+3, PER-3, LUCK 0 Tech Base – TransportInhibition – Get passengers to destination without harm.

5

MEDICAL DRONE Laser Scalpel Med-Kit Synthetic – AGL+3, INT+3, PER+3, LUCK 0Skill Focus – Medical DoctorInhibition – Allow no harm to come to patients.

6

PYRO Flame Pistol, Combat Knife Matches Psion (Pryokinesis), Rank – 2nd Lieutenant

7

CHUCK Combat Knife Steel Ball Bearings Psion (Force Throw), Rank – 2nd Lieutenant

8

SHADOW Pistol, Garrote Silencer  Psion (Mind Cloud), Rank – 2nd Lieutenant

9

SNIFFER Stunner Migraine Pills Psion (Read Thoughts), Rank – 2nd Lieutenant

10

MP Stun Pistol Mag-Cuffs Tech Base – Combat, Rank – Private

11-12

TROOPER Assault Rifle, Combat Knife Full Combat Armor Tech Base – Combat, Rank – Private

13-15

TECHNICIAN None As Chart Rank – Private, Skill focus – Roll on Random Maintenance Skill chart

16

QUARTERMASTER Assault Rifle, Combat Knife Data Scroll, Inventory Data Patch Rank – Sergeant

17

WARRANT OFFICER Ballistic Pistol, Combat Knife Data Scroll, 1 Random Data Patch Rank – Warrant Officer

18

PSYCHOLOGIST None Data Scroll, Personnel Data Patch Rank – Captain, Skill Focus – Psychology

19

PRIEST None Data Scroll, Personnel Data Patch Rank – Captain, Skill Focus – Theology

20

ACADEMY GRAD Ballistic Pistol, Combat Knife Data Scroll, Sun Tzu Data Patch Rank – 2nd Lieutenant

21

ASTRONAUT Ballistic Pistol, Combat Knife Data Scroll, Astronav Data Patch Rank – Captain, Tech Base – Astronautics

22

PURE SCIENTIST None Portable Scanner Rank – 2nd Lieutenant, Skill Focus – Roll on Random Science Chart

23

VEHICLE TECH Ballistic Pistol, Combat Knife Vehicle Repair Kit Rank – Private, Skill focus – Roll on Random Transport Type chart

24

ROBOTICS SPECIALIST Ballistic Pistol, Combat Knife Robot Repair Kit Rank – Private, Tech Base – Robotics

25

SYNTHETIC SPECIALIST Ballistic Pistol, Combat Knife Synthetic Repair Kit Rank – 2nd Lieutenant, Tech Base – Synthetics

26

DOCTOR Laser Scalpel Med-Kit Rank – Captain, Skill Focus – Medical Doctor

27

INTEL ANALYST Ballistic Pistol, Combat Knife Silencer, Data Scroll, Intel Data Patch Rank – 2nd Lieutenant, INT +1

28

PENAL LEGION SLAVE None Bomb Collar One random PC controls the Bomb Collar.

29

CORPORATE LIAISON None   Roll on the Corporate Occupation Table

30

WEIRD - -  Roll once on the Weird Table and then roll again on this table.

Void Hunters: The Commanding Officer…

1372028638894The Synthetic is a unique class that really didn’t have any analogies to DCC in specific or OSR games in general, but it is not alone in that regards. The Commanding Officer is another class that doesn’t really fit neatly into the OSR pigeonhole.

It’s like a Cleric, but the healing abilities are all psychological not physical. It’s like the Warlord, with excellent leadership abilities that enhance the party, but more educated and skilled than combat intensive.

It is the lynchpin of any team, and, like the Cleric and Warrior, its absence is sorely felt when no one takes up the role. Here is the current version of the class…

COMMANDING OFFICER

Level

Leadership

Combat Die

Bonus Attack

REF

FOR

WIL

Other Abilities

1

D3

D3

None

+1

+0

+1

Educated, Lead from the Front

2

D4

D3

None

+1

+0

+2

 

3

D6

D4

None

+1

+0

+3

 

4

D8

D4

None

+1

+1

+3

 

5

D10

D6

3D4

+1

+1

+4

 

HIT DICE

D8

TECH BASE

General, Combat, Transport

EDUCATED

Officers are more highly educated, and have access to knowledge that is typically restricted to specialist crew-members. At level 1, they may choose any one additional Tech Base.

COMBAT DIE & COMBAT MANEUVERS

Officers have a Combat Die just as Soldiers do. Although it is smaller, it functions in the same way.

alien-tom-skerritt-dallasLEADERSHIP DIE

Each Round, an Officer may add their Leadership Die to one other character who is within communication range (verbal or visual) and actively following their lead. This die may be added to that recipient’s Action Roll for that Round only (they may not be saved from Round to Round).

Actively following the Officer’s means that the Officer Character has given the recipient some instruction at some point before their Action roll and they are actively carrying it out.

At level 3 and above, the Officer may ‘split’ their Leadership die into two or more smaller dice. The only restriction is that a D3 is the smallest die that can be split off in this manner and any remainders are lost (a D10 split 3 ways would become a D3, D3 and D3, for example). They may assign these extra dice as they see fit, but may only assign one to any single individual per Round.

LEAD FROM THE FRONT

collision_coarseInstead of using their Leadership Die for the round to give orders and encouragement, the Officer may lead by example, passing their Will save to do some extremely unnerving task like entering  and alien infested hulk, leading a charge against a band of space pirates, or any other daring act the inspires their comrades. They may do this a number of times per Mission equal to their Level.

Any character (except Synthetics) following them and doing the same Action gains a x1 Enhancement on their roll for that Round only.

CONFESSOR

Officers may use their Leadership Die (or dice if they split it) once in the Psychosis phase to help a crew member (except Synthetics) to either avoid picking up a new permanent psychosis or to help remove an existing one.

Void Hunters: Character Classes…

All characters in Void Hunters start out as Redshirts. A Redshirt is a level-0 character with a lowly occupation, and they go through the same Character Funnel winnowing process as DCC characters. After this, Void Hunters assumes that they receive some sort of promotion and spend some years training for, and gaining experience in, a new career: their Class.

Void Hunters will introduce 6 new classes for science fiction gaming using the DCC rules set. Classes not only determine the basic DCC sort of things, like Action Dice, critical tables and special abilities, they also determine the type of technology the character is familiar with, their starting equipment and the particular type of mental instabilities they are prone to while out in the void.

SOLDIER

large-75The Soldier is the DCC Warrior in many ways, with the best, all around fighting ability of any class (including Mighty Deeds of Arms) and the highest Hit Die. The resemblance ends there, however, as Soldiers are not just talented fighters or fierce barbarians, but highly trained combatants, most with a military background of one sort of another, be it regimented army sergeant or gun-for hire mercenary.

They are, of course, trained in Weapons and Armor, but they also possess the MOS special ability, which allows them to pick up some very specific training as they rise in level, A Soldier does not start with Transport as a Technology Base, so they will never. for instance, be the all around driver, pilot and mechanic that someone with Transport is, but they might have an MOS in Tanks, giving them a d20 Action die in the repair and operation of those types of vehicles. They can even pick up very specific bits of Experimental technology with enough experience, like learning how to use and maintain a particular alien weapon. At higher levels, they can even pick up a special ability from another human class (i.e. not Synthetic) for a soldier who is incredibly stealthy or one who develops a single psychic power, for example.

SCI-TECH (formerly Scientist)

silentrnng4This covers all sorts of brainy folk with a very wide range of scientific and technical skills. They will have the widest Technology Base of all the classes and are the only class that get the Experimental Tech Base, which gives them the ability to decipher and deconstruct, bypass or utilize alien tech and then try and pass on that understanding to other classes. They will only start with a number of these, however, which will determine their specialty (starship engineer, research scientist, transport officer, etc.), but they will have the opportunity to learn more of them as they advance in level, until they become versatile in pretty much everything but fighting.

They are, pound for pound, the worst fighters of all the classes, having spent so much time amassing scientific, technical and esoteric knowledge that they have had little time for combat training, but they make up for it with their Gadgeteering special ability, which allows them to improvise devices using whatever is handy and lying around.

SCOUT

little-fuzzy

Jack Holloway from H. Beam Piper’s ‘Little Fuzzy’ is the inspiration for this class.

The Point Man for exploration teams, the Scout is a survival specialist who is also good at identifying potential dangers before they can do harm. Scouts are the second best fighters and also possess a wide Technology Base that allows them to function on their own for long periods of time. Their special abilities include an increasing bonus to AC (a sixth sense that helps them to avoid danger) and improved Stealth skills.

When it comes to dealing with sentient aliens who are not automatically hostile, the Scout also functions as a First Contact specialist, giving them a bonus on the Reaction Table when to trying to communicate with and befriend them.

OFFICER

tumblr_lt27szJ0T21qaye4so1_500The Officer is the team leader. In D&D 4E terms, you’re looking at a Warlord sort of character, whose abilities help to bolster his team, especially if he leads from the front.

Officers in Void Hunters also serve as the team psychologist, as the ability to lead a team in deep space is only as good as one’s ability to understand their innermost fears and desires, anticipate their behavior and head off any potential issues that might lead to…SPACE MADNESS! As such, some of their special abilities will revolve around ministering to the mental health of their team and helping to cure short term psychosis before it can fester into long term insanity. They are, mentally, the toughest members of the team with the highest Will Save for that reason.

PSYCHIC

hr_giger_dreadsThis is an optional career, and the GM may forbid them on the grounds of realism, especially if he is running a campaign in a hard science fiction setting. They are, in effect, the Wizards of the Void Hunter game, but with very different power levels and restrictions.

Psychic powers are going to work in much the same way as DCC Magic in that there will be a ‘Psychic Roll’ based on Personality, and the result will be looked up on a table. There will also be corruption in the form of ‘Psychosis,’ various temporary and long-term mental disorders that the Psychic can pick up and may eventually drive them totally insane (and there are some things in the darker corners of the universe that will speed up that process).

The tables remain, but they will have a much different slant. Hard Sci-Fi Psychics are a recent evolution of the species, their powers barely understood by science. This means, mechanically speaking, that the curve of effect on the tables will be much steeper (and the tables much shorter as a result). The low end of the table will be rife with poltergeist effects and misdirected mental energies, with only the lowest results costing the Psychic the use of their powers for a time or knocking them out from the strain. On the other hand, unlike Wizard Tables, the higher end of the Psychic tables, the ones where a Psychic shows truly massive power, offer a chance for corruption/Psychosis just as the low ends do. At level 5, a psychic might truly start to frighten their team-mates, whom the Psychic no longer relates to in the same way, and a level 10 Psychic risks turning into an insane being of god-like power with every use of their powers!

Psionic abilities will also be grouped into Disciplines, and Psychics will be defined by a single discipline until they gain higher levels (3, 5, 7, 9), at which point they might branch out. This means that they will be much more focused than wizards and their role in the game will vary from character to character. One can imagine a Telepath being part of First Contact team (or used as an interrogator in a War Amongst the Stars setting, ala Starship Troopers); a Telekinetic acting as the ‘thief’ in a Hulk Recovery Mission, using their powers to unlock doors or grab potentially dangerous artifacts from afar; while a Pyrokinetic would serve as ranged fire support for a Military Special Ops unit.

So psychics are more limited than wizards in some ways, but they don’t have to make deals with supernatural patrons, find arcane manuscripts to gain new ‘spells,’ and may eventually recover from their ‘corruption’ over time with the right psychiatric care. Like Wizards, however, their ticks and psychosis will slowly make them peculiar in a way that will make it harder for them to deal with the ‘normals’ that surround them. One day, they find themselves totally unable to relate to what are, essentially, dumb apes in comparison to them, from an evolutionary point of view, and may even find themselves at war with their previous team-mates and friends who are terrified of the Psychic’s power.

This of course, assumes that they live long enough. There are things in the void that hunger for the minds of the ‘gifted’…

SYNTHETIC

david8-102I deliberately used David 8 from 2012’s Prometheus as my illustration because while Ash, from that movie’s seventies predecessor Alien, is actually the same type of Android from the same setting as David, I think Michael Fassbender captured that ‘not quite human’ aspect so much better, and that is the image I want people to have of a Synthetic.

Game-wise, the synthetic class is the ‘demi-human’ class of Void Hunters. Better than humans in oh so many ways, but with a built in rarity that comes from a very limited place on the 0-level occupation table and a specific set of weaknesses or vulnerabilities that hinders them in unique ways as well. Being programmed to obey specific humans, for instance, and not being able to ‘heal,’ relying on others to repair them in many cases. I’m still noodling on this class, because I don’t want it to become an Uberclass, but I don’t want to betray their literary underpinnings by artificially weakening them, either. A few ideas I’ve had on how to approach them include:

1. Treat them as an Elf, basically giving them the abilities of two classes (Soldier and Sci-Tech seem the most likely) and slow down their XP gain in some manner to represent their lack of insight (the Basic D&D variation) or give them some serious vulnerabilities like the Elf’s aversion to iron (the DCC variation), or some combination of both.

2. Give them bonuses in STR, AGL and INT, but really nerf Personality and give them an automatic Luck of 0.

3. Some combination of the previous 2.

UNDER CONSTRUCTION

Those are my first rough concepts for the character classes for the game and, as you can see by the change of scientist into sci-tech, they are still evolving as Void Hunters simmers in the back of my brain. Some, like the Soldier and Sci-Tech, are very simple to design and will go quickly, while others, like the Psychic and Synthetic, will need careful crafting to make sure they are fun for everyone.

Note that I didn’t say, ‘balanced’ for everyone. I like classes to be powerful in their own, unique manner, even in situations outside of their sphere of influence where clever players, none the less, come up with unusual ways to utilize their abilities to overcome the challenges before them. Balance is a holy grail I do not pursue. Fun is my grail, and as long as everyone can play a different class and feel they got an equal amount of that, I’m a happy game designer…

Void Hunters: New Rules for DCC…

As this is a supplement for Dungeon Crawl Classics, it will use the bulk of the DCC rules set for basic stuff like Attributes, Combat, Skills, etc. As a silence fiction game, however, we will need to add a few new rules to the game that are specific to that genre (as well as alter some of the existing systems, which I’ll be talking about more extensively in later posts), in much the same way as I did in Barbarians of the Aftermath.

TECHNOLOGY

AstronautPerhaps the biggest difference between a fantasy setting and a science fiction setting is the growth in the complexity of technology. Most people can be assumed to able to use almost 99% of fantasy technology (hammer & iron spikes, lanterns, tinder-boxes, ten foot poles, etc.) with specialists in a few specific trades, like blacksmiths and wainrights, and the most advanced technology, reading and writing, only available to those with the proper education.

In the modern day, however, we are constantly being reminded of how much there is to know and how little of it we actually understand. Sure, the smartphone is ubiquitous, but how many people can strip and clean a firearm? And of those, how many know to do the same with military grade weapons? And how many military weapons  are so complex that you can’t repair them in the field? We could make the same point about driving a car being different from flying a plane to flying a fighter jet and the differences in programming a website versus programming an operating system, but you get the point: technology has turned mankind into a species of specialists. So in the game, it just doesn’t make sense to let everyone use every piece of technology equally.

As such, each PC will have a Technology Base that will be gained from their class, based upon the type of technology they are trained and competent with. Their 0-Level Occupation will also provide them with one, very specific, piece of technology they are familiar with, which may or may not fit inside that Tech Base. In a way, you can think of the Technology Base as a skill set for the operation, repair and basic understanding of the principles behind devices that fall within that base (including alien tech that bears a strong resemblance to it). Those familiar with the tech roll a d20 as their Action Die. Those unfamiliar with it (but, considering the level of knowledge and experience needed to brave the void, probably cross-trained in it) roll a d10 as their Action Die, just as with skills in DCC.

Each piece of equipment will have one or more Tech Categories that define where it fits within the class structure of the game: General (which is available to pretty much everyone), Combat, Transport (planet-side vehicles & mechanics), Scientific, Robotic and Astronautic (spacecraft & engineering). There will also be three other Tech Categories that are so specialized that only those classes that possess them can figure them out and use them: Experimental (weird super-science type gadgets and alien tech), Psychic and Synthetic (everything to do with androids).

Of course, it should go without saying that these Technology Bases not only represent technological competence, but overall skills sets as well, so a character with training in Transport is probably a general mechanic as well as a driver, which means he would be the guy to call when the base AC is on the fritz. Need to fix a Cybertank, however? You’ll need a guy who is knowledgeable in both Transport and Robotics to get the d20 Action Die..

RESOURCES

160d21128da98dc567406f7e2442d9ec-d53u2f1Another difference in the two genres is that characters who pillage the void are not going to come home with ready to spend piles of shiny coins. They are going to come home with resources that they must sell, and nothing that you spend weeks and years risking death in the void for is going to sell for cheap. Combine that with the fact that certain equipment, like spacecraft components, are going to be exorbitantly expensive, and you can see how keeping account of money in bits and pieces can become a bit unwieldy.

Instead of that, each character will have a Resource attribute, which works like the Luck Attribute in DCC, in that you will have an Attribute Score that goes up and down as you use your resources and add to them, as well as a modifier that doesn’t change (to represent your lifetime credit rating based upon your past dealings) and is used for when you try to get things above your current Resource Attribute level.

Buying things is simple: if you have the Resources, you take it and then reduce your Resource rating accordingly. Characters can also pool their Resources to buy bigger things. You want that fancy new fuel converter for your ship? Better pool your resources, team!

If the item is outside of the individual or team’s current available Resources, you can always make a Resource Roll, which represents buying things on credit. In this case, with an added difficulty based upon the difference between the cost and the available Resources. The character with the highest Resource modifier gets to add that to the roll. If you succeed, you get the item on credit with minimal to no initial outlay, but must pay back the remainder with interest the next time you come in from the void, or else: consequences (which can mean a variety of things based upon the situation and nature of those with whom the characters did business).

Resources are also used when you are trying to use the power of your wealth to influence others. In such cases, a Resource roll is made just like a Luck roll and, if it succeeds, you reduce your Resources by 1 and get your way.

FIREARMS

Speed_painted_sci_fi_pistol_by_torveniusOf course, firearms in science fiction would make a mockery of any fantasy arms and armor, magical or otherwise, due to high penetration power and rapid rate of fire often combined with a large area of effect. This of course requires a few new rules.

Damage for a firearm will be very similar to other ranged weapons in DCC. After all, they both poke holes in you, it’s just that one dose it faster, possibly does it to anyone else standing directly behind you and in line with flight path of the projectile and with little regard for cover or armor that isn’t specially designed to stop it.  Certain special types of ammunition might make hole a bit bigger (Dum-Dums) or even ‘splody (Gyrojet Rounds), but for the most part, the damage will range from d6 to d12 (with Hit Points representing more than physical damage, of course, but more on that later).

Rapid Fire is fairly easy to model and I’ll likely be doing that by allowing multiple attacks with decreasing die size. Soldiers will be penalized less in die size than other classes, making them a bit more effective.

Ranges are another thing you must take into account. The world record sniper shot is over a kilometer in distance, and energy weapons, like lasers, are unaffected by wind and barely effect by gravity so if you can see it and point at it you can hit it. As a result I’m thinking range is going to play little part unless it is Extreme, which I’ll probably define in the individual weapon descriptions.

Turning to the equipment side of Firearms rules, weapons will fall in line with their Barbarians of the Aftermath counterparts: general types and sizes, not specific makes and models. This, along with a number of upgrade kits, will allow for a wider variety of firearm types, with a minimal amount of rules,and without cornering the GM into any specific setting. I also intend for weapons to be sold in bulk. You spend a Resource point and get to outfit your character based on Armory points that can be spent on customizing your personal weapons stockpile (think Jane from Firefly). A team can do this to build up a communal armory for their ship.

As with Barbarians of the Aftermath, I’m not interested in turning ranged combat into an accounting exercise, especially considering the fact that a single Resource Point’s worth of ammunition could keep a platoon supplied for a month long operation. However, I do want to emphasize the Resource Management aspect of most dungeon-crawl style games. As such, I am looking at a method that mixes limiting carried ammunition but allowing for total reloads when the characters return to the ship.

When characters get into a firefight, no one calmly pulls the trigger for a single shot at their target. No, most folks throw a number of rounds downrange in the direction of their target without even thinking about ammunition expenditures, only stopping after the third or so ‘click click’ noise tells them their weapon is tapped. In the game this will be represented by an ammo check system built into the combat roll (in much the same way as Cleric Disfavor is built into their spell roll) which will occasionally empty their weapon. If they have reloads on them, they may take an Action to do so, but if they don’t, time to find an alternative.

Soldiers will have an advantage here. A trained soldier will learn to control their fire and keep track of their ammo expenditures. I’m thinking of either letting them reroll the first ammo check for a weapon or maybe reducing the number for every level they have in their class. Haven’t decided yet.

SERVITORS

silent-running.jpgOld school fantasy RPGs have henchmen. Void Hunters will have Robots! Basically, a robot is a henchman who does exactly what you tell them, as soon as you tell them to do it. They still require ‘payment’ in the form of maintenance, and they are very limited in what they can do based upon their programming, but you can send them into the dark corners of the unknown a hundred times or more and they will never object or leave your service (unless they blown apart, eaten or otherwise destroyed by whatever was lurking in said dark corners). Servitors will have some specific types and rules, but for the most part, that describes them.

Do not confuse Servitors in the game with Synthetics, who are self-aware characters and, hence, a PC class. Outside of their programming, servitors are dumb as a box of rocks and not self-aware… or at least not the ones humans build (although it might make for an interesting adventure if one did become self-aware through some bizarre in-adventure phenomenon, and turned on the crew for their crass abuse of it and its brethren).

PSIONICS

Psychics are, like Synthetics, an optional PC class which may or may not be allowed by the GM for their particular setting. I plan to base psychic abilities (‘powers’ seems an excessively fantastical word to use for the genre and level of ability I’m going for) on the DCC magic system with a few wrinkles to give it a totally different feel, but I’ll discuss this more in a future post dealing specifically with that subject.

SPACE CRAFT

PsychotechnicLeaguevincentdifateSpacecraft in Void Hunters are largely a way to get around the interstellar sandbox of a campaign, along with serving as ‘dungeons in space’ for hulk salvaging missions.

In the former case, they serve as a mobile base for the PCs, a base that becomes more and more useful and allows them to take on greater challenges as they upgrade it or sell it to buy an even better craft. In a way, it is like a group magic item that levels with them so long as they are willing to spend resources on it.

As such, spacecraft will be modular in design, a base hull with standard components and a number of attachment points for various upgrades that will provide a bonus to the team in specific situations.

The combat rules for spaceships will be highly abstract and focused on what each character does during said combat than moving miniatures about a map, which is not the best representation of combat in a 3D environment anyways. There will be a role for all the available classes to play in space combat, which will be spelled out in their class descriptions; a series of potential maneuvers that might be employed, and a critical system for ships, but other than that, I’m still thinking on this one and will go over it more in a future post.

 SPACE MADNESS

darkstar

Seriously. If you play RPGs, you need to see this movie.

Finally, Void Hunters would not be complete without a system for altering the mental state of the characters so that the effects of psychological horror can be brought into the game. After hearing about Torchbearer and how they are handling hunger, thirst and so on, I’m thinking of introducing a  number of mechanically defined states, like paranoia, fear, and so on that can be incurred during play.

Most will be temporary, and can be relieved by returning to the safety of the ship (if the ship isn’t harboring some alien monstrosity that is stalking the crew, that is) or by other means, like psychological counseling back at a friendly base station. Some, however, will have the potential for causing permanent psychological damage so characters who remain in the void for too long will start to mentally resemble the crew of Dark Star.

Void Hunters: Chapter 1…

In this post, I’m going to break down Chapter 1 of the book, because it answers a lot of questions about what, exactly, the essence of Void Hunters will be in look, play-style and overall direction. In summary, Void Hunters will be:

A Genre Toolbox Supplement for Dungeon Crawl Classics

That’s a mouthful, but describes the book pretty accurately.GMG5070-DCCRPG

First of all it is a supplement. Licensing rules for Goodman Games prevent me from including the core DCC rules in the book, so you’ll need the main DCC corebook to use it as intended. This is fine by me, as we really don’t need yet another retro-clone variation cluttering up a marketplace filled to the brim with minor variations on old school D&D. In fact, as DCC uses the D20 license and hews closely to OSR rules paradigm (without actually being a pure retro-clone, which is why I like it so much), you will find a lot of rules material in here that will easily translate to your favorite OSR game and the rest should only require minimal conversion.

Second of all, it will be a Toolbox for generating your own setting. A lot of the book will help you to decide what assumptions you want to make about technology, aliens even player classes, to make your ideal campaign setting with advice and even random tables for moments of indecision. Folks who have read my previous book Barbarians of the Aftermath will understand the kind of toolbox that I’m talking about.

That being said, Void Hunters will have a much tighter focus than BotA, which was a great deal more expansive in theme, covering every sort of post-apocalyptic scenario possible. Void Hunters will focus is on a very specific subset of Seventies Science Fiction (which I will talk more about in a minute) that revolves around my personal Appendix N, and does not include Star Wars type Science Fantasy or Pulp Science Fiction (cause Lord knows we have enough variations on those).

That being said, it is a supplement for Dungeon Crawl Classics, the premier 1970’s Style Fantasy RPG, so that means the rules will be totally compatible with anything you’d like to pull out of that book. You want Vancian wizards making Faustian bargains with elder gods who must not be named while flying about in spaceships with android companions and barbarian tribesman from the planet Mars? Well, if you have both Void Hunters and DCC (and an inclination for kitchen sink innovation) it will be as easy as picking something from column A and another thing from column B and throwing in a little bit of Column C for good measure.

An Homage to a Very Seventies Form of Science Fiction and Gaming

A question I’ve been asked recently is ‘What do you mean by Seventies Science Fiction Gaming?’ Basically, the style I’m talking about includes the following elements:

A Bleak, Uncaring Universe

Spaced Out Disco CD front

Look at this and try to tell me we were wrong to view Disco as a sign of the coming apocalypse…

One of the defining elements of the seventies is a darker, pessimistic (and some would say self-centered) view of the world that that was very much the ‘come down’ from the high of the sixties. Our psyches were darkened by the Vietnam War, the Watergate Scandal, the Oil Crisis, global cooling (yes, that was a thing), growing pollution and overpopulation worries, the threat of nuclear annihilation and Disco (hey, once you’ve heard every damned thing, from the Star Wars theme to Donald Duck turned into Disco, you’ll feel the same). This, combined with the rapid advance in technology and a growing realization that the universe was a lot more destructive and weirder than we’d ever imagined, gave a more serious, humanist tone to the fiction of the era.

As a result, much of the science fiction of this era, in books, movies and magazines, focused on the frightening advance of technology, the terrifying (but often breathtaking) unknowns of space, and the very well understood and depressing tendency for man to screw over his fellow man, even when faced with the total extinction of humanity.

There was a heavy emphasis on realism as well: the technology tending to hew more towards what might be possible in the next century rather than light swords and laser crossbows. In the same way, the search for extra-terrestrial life turned into an exploration of long dead or devolved civilizations and fighting off super-predators waiting to prey on the unwary. Science fiction became, in many ways, Dystopian, a violent rejection of the Utopian visions of the previous decades.

AlienPoster

Space in these stories is dangerous and uncaring. The unprepared will surely meet a gruesome end and, when so much is unknown, it is practically impossible to be fully prepared. Especially against the mad pressure of extended isolation in an infinite void, the dangers of previously unknown stellar phenomena and the predations of undreamed of alien life and your fellow man.

That is the very essence of space in Void Hunters and will probably be re-worked for the back cover blurb. The tiny caption on the movie poster to the left, from the quintessential dark science fiction movie of the decade, pretty much sums it up…

Seventies Science Fiction Gaming

Science fiction gaming in this era was best exemplified by three games: Metamorphosis Alpha, Gamma World and Traveller.

MetamorphosisAlpha2_TSR_1978

Metamorphosis Alpha was basically a game of D&D in space. Take the concept of the mega-dungeon (in which the players explore an expansive environment from top to bottom over a long period of time, slowly growing in power until they conquer it fully) and overlay science fiction elements on top of it. The players were the primitive, devolved descendents of humanity sent into space on a great space ark many centuries previous, exploring it and all the new creatures and peoples that have evolved since then, slowly recovering the technology and knowledge they need to take control of the ship and find a new home world. Very much in the vein of the early 70’s television show The Starlost.

thumbs_2493-gammaworld1978Gamma World was much bleaker and examined the dog eat dog world of survival after the near extinction of humanity in a nuclear apocalypse.It is the spiritual ancestor to Barbarians of the Aftermath in many ways. And while the post-apocalyptic genre really only took off in the eighties (when we were all certain we were going to die in a ball of nuclear flame or end up envying those who did) it got its gaming start in the seventies, and it seriously seriously struck a chord because, quite frankly, many of us didn’t think we’d make it to the eighties. The survival at any cost meme along with the man screwing over man theme was given cathartic life in Gamma World and influenced a generation of gamers.

Traveller was THE hard sci-fi game of the period, really pushing the realistic technology and humanist angles of seventies science fiction. Communication and travel were slow, so interstellar empires were non-existent or feudal in nature and player characters in the game Travellerwere experienced soldiers, explorers and traders in a universe that revolved around exploitation of interstellar resources. Characters were the epitome of humanity in seventies sci-fi, opportunists who  did not measure success by experience (the inexperienced and unlucky didn’t survive to become player characters, which was emphasized by the fact that your character could actually die during character generation) but by what they took from the universe for themselves.

Of these, I’m going to take the dungeon exploration aspects of Metamophosis Alpha and mix it with the stark realism of Traveller and the survival theme of Gamma World. to create the ultimate modern take on Seventies style science fiction style gaming.

 The Void Hunters Implied Setting

Void Hunters will bake all of these influences into the rules to create something that is a bit more than ‘DCC In Spaaaace!’ but retains that DCC feel of gritty adventuring in a dangerous setting. It will also be an exploration game set in a dark and uncaring universe where explorers, traders and military expeditions dive into the unknown and find new resources to exploit, the remains of ancient, long-dead alien civilizations to explore and unthinkable horrors to survive.

P2

In my next post, I’ll talk about some of the new mechanics that will subtly change DCC into a science fiction game…